order following knowledge, there is unfortunately no detour: Electronic music is not danceable so far, no crowds. The small community of curious and sworn expert at the foyer of the State Theatre among themselves. Has invited the music-theater workshop of the house, which is under the direction of Ernst-August and is expected Klötzke fortunately with the necessary support of the Friends of the State Theatre. Four events are in this season in the program, the first waves even with a visitor-friendly title. "Ears Cinema" sounds friendly and accommodating. After his eyes closed and images that arise in the head. What could therefore argue against a visit?
The electronic music label responsible "indigestible", or at least "difficult acceptable" to. Only rarely can watch the performers in the concert, which at least one important factor for Customized planning a musical evening excludes. But just at this concert it is made easy to the listener. The works that resound from the speakers next to the rows of seats could also provide the soundtracks to films or the background noise for radio plays. Partly at least, and in highly concentrated form. In any case, the path for those who paid off who succeed with imagination and openness to engage in a cleverly designed offering.
The audience itself is required, must be the "missing" part replace with your own imagination or have what is offered simply as a pure act on the program. But the forward-looking view of the gold ornate theater set-up and input in any case offers no additional insight. The highlight of the evening is certainly the premiere of Bernd Leukert, who had traveled to do so. His title "The horse does not eat cucumber salad" comes not from him, but by the inventor Philipp Reis, who spoke the words to his newly invented telephone, to test it first.
It is this first performance demonstrates the exciting possibilities of the genre-listening experience that can be both entertaining and stimulating. Since Zugdurchsagen mix with bells ringing, because a lightning rends the crash scene, orchestral tutti bodies alternate with exotic and synthetically generated music pieces. The Work is a production on its effectiveness on a particular rhythm and a musical approach that are not based necessarily on tones must result. Exciting as a thriller published in 1996, the composition "La Grande Vallee" by Lionel Marchetti comes, and Alain de Filippis "Ton Dieu nes'appell-ti-il pas ego?" From the year 1993 and Jérome Noetinger "Gloire à .. . of 1991 reveal a telling dramatic.
- The next event of the music-theater-workshop held on 9 November 2009 at 19.30 clock in the foyer of the State Theatre. The ensemble plays works by Mauricio Kagel chronophonie and Vinko Globokar.
- cards: 0611-132325 or vorverkauf@staatstheater-wiesbaden.de
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