like the first few minutes he was as rude. Because he knows how to do that, must not enter a new territory, so the fans know and love him. Since it does not matter if it considers Peter Gauweiler for a CDU politician and demonized him for builders of AIDS concentration camps. How did he get it? Sure, by the arrest of the "singer" Nadja Benaissa ("No Angels"), which is said to have knowingly infected a man with the HIV virus. Why interested in him that? Because he wants to be at times also arrested from the stage. This tortuous path through his brain turns invites gag undaunted, and earns from its pursuers unbridled enthusiasm.
His Mario-Barth-parody arrives and its Audience Also: "You are friendly, not too critical and uneducated." But it is meant nice, clever Meier he finds stupid. Then he looks forward to "Media, spare the one from the truth" and explains metaphors. Suddenly he is such a thing as political. Then, when he reflects on his guilty conscience that he steals, he of the western runway, against which he and his band "Flatsch" protested at the time, flying on holiday. His bizarre fantasy of a runway model in the log-West magazine, he should continue to develop strongly, which has
surrealist potential.
also what he has to say about Swabian weapons, would be tested by the Bader-Meinhof group, now being used in Georgia, contains real cabaret qualities: "The weapons do not care who is the Lord, the main thing they are allowed to walk the dog . go "if he reads love letters to Adolf Hitler
, only to illustrate:" If you're a good killer, you get all "what! it illustrates yet with figures like Milosevic or Pinochet. In the second part there are some sounds, such as those for the "Fear-flat", the price of freedom in a democracy.
clever moves in exchange he constantly between the spirited attacks below the belt and scores with the appropriate vocabulary, wide tires Santander southern Hesse dialect. Him succeed in this role change effortlessly and authentically, he has neither the instructive and gone for some cabaret colleagues, green Delt but never at the same time only in the swampy lowlands of the topics most comedians. Gerd Knebel is neither the intellectual nor the verbal vandals. He gleans his own patchwork together.
Published in Wiesbaden Tagblatt
Photo: Paul Mueller
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