Riehm himself is convinced that the text "has scheduled no dust" to his book "The Terrible-violent children" despite his age, the message was: "Only by force are interpersonal relationships change." He hits the bow of Hesoid to former President George Bush in his preparation for the Iraq war. Actually, the work was not intended for stage performance, Riehm saw it as a "film without images" on. The question of the Mainz but it was really thrilled and Jäkel is even convinced that the music of his pictures and almost provoking predecessor.
Gisbert Jäkel, who came to this work for the first time to the Mainz State Theater, is responsible for the stage, which is characterized by an expansive concrete wall, in which previously a huge hole was torn. Probably by an explosion of insight into the family life of the old gods sex is now possible. Musically decomposed Riehm the events permanently into its component parts, questions and skillfully created musical object constructs. The voltage Permament between music and action will result in the short hours and have enormous present.
The roles are clearly distributed, while overwhelming soprano Ana Durlovski with vocal brilliance and the apparent ability to artistic friction by the act out, the dancers Rogério Cruz a flaming entzürnter Kronos, the clumsy, last only a paltry vegetating Uranus ( Wilfried Günther), the long hoped-for revenge will be given. Clemens salvation and the ensemble of the Philharmonic State Orchestra Mainz plumb the musical characteristics of the challenging score in all its depths and groove and leave it to the lead role in a Musical work with haunting scenic illustration. no one else around, which alone makes the evening remarkable.
Released including the Frankfurter Neue Presse
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