With the choir of the Mount Church offers the community a very powerful chorus, the line breaks in Whistler for greatness and thereby permanently as one of the most versatile vocal ensemble of the city turns out. Even with the Brahms motet "Why is light given to the weary," presented the 50 singers of her spectrum of sounds to the test. Gentle homogeneity in the overall appearance and high sensitivity in the implementation of the score draw from the choir as well as the huge dynamic subtleties, which they use as a design element.
In other works, such as the excerpts from Joseph Gabriel Rheinberger's Mass in E flat was a very clear voice guidance, by which the various vocal groups demonstrated clear of each other deposed, and yet a deep and comprehensible understanding of the musical context. Also impressive is the meaty moments in extreme pianissimo.
Andreas Carthusians had imagined at the beginning of the rarely played Organ Sonata No. 1 of Christian Fink, which was simultaneously performed with the inauguration of the Mount Church "Wiesbaden Tonkünstlerfest. The work is very lush and full of lies
chromatic games, worked the Carthusian sent out had been realized and resolute. Together with the solo cellist of the Wiesbaden State Orchestra, Stephan Breith,
he performed on harmonium, among them "Kol Nidrei Adagio" by Max Bruch. The two musicians conveyed the expressive melodies and sentimental but without too much pathos.
Abbreviated published in the daily paper Wiesbaden / Wiesbaden Kurier
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