It was a bittersweet evening concert, which had caused the Philharmonic State Orchestra Mainz his audience in the Great House there. The lush Symphony No. 1 in D major by Gustav Mahler, the "Titan", in which afflicted the composer four years and seven years after its premiere, he finally in 1906, revised again, filled the entire second half. With its wealth of tonal impressions Mahler had already claimed the contemporary audience enormously, Theodor W. Adorno spoke of the "swallowed" the composition of their program was. Also in the Mainz interpretation of programmatic content was barely visible, On the contrary: the enormous show of strength came here a fascinating example of almost absolute power of the musical design of musicians, the duties under the direction of Peter Hirsch a surprisingly closed impression. had already earlier, the instrumentalists their creative flair with two unusual works of the 20th Century proved. The beginning of the 1950s created "Variations for Orchestra" by Luici Dallapiccola composed of eleven espressiven miniatures that seem even then blown gently, are sometimes thrown out with all the anger. The orchestra put the pieces always very clear and gave the music outright. In the acts of its versatility Work equally highly entertaining, it follows him like a banned as a result of acrobatic circus numbers - always with the expectation of a new and surprising twist that always occurs with predictable safety. The orchestra was found to be least willingly and with all its aural skills for this presentation available.
Luigi Nono's tribute to murdered by the Nazis in 1943, communist writers Julius Fucik (not to be confused with the same wind music composers) from the Czech Republic on the other hand gets torn up as expected and disturbing. A year after its composition in 1951, Nono was the way even the Communist party in Italy at. The oppressive interrogation situation that Nono has captured device to a single charge of individual, lost acting brass phrases to monotonous, long lying strings sounds. This is a short dialogue, in Mainz Greg Trakis and Stefan Walz, unfortunately, presented somewhat schematically.
Abbreviated published in the Allgemeine Zeitung Mainz
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